Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum
| Author | : | |
| Rating | : | 4.34 (854 Votes) |
| Asin | : | 0393002772 |
| Format Type | : | paperback |
| Number of Pages | : | 160 Pages |
| Publish Date | : | 2015-09-17 |
| Language | : | English |
DESCRIPTION:
Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux's teachings. J.S. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library.. An impressive list of ninetee
Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. J.S. From the Back Cover The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum.
Hexagram of the Heavens said A Historic Classic. Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (189"A Historic Classic" according to Hexagram of the Heavens. Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (19A Historic Classic Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 9), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (19A Historic Classic Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 9), which is a comprehensive revision of Fux's method of 17"A Historic Classic" according to Hexagram of the Heavens. Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (19A Historic Classic Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 9), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 5. Jeppesen had observed that Fux did not really write like Palestrina (15"A Historic Classic" according to Hexagram of the Heavens. Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (19A Historic Classic Understanding Fux (1660 – 17A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 1) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 197A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 9), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. 5 - 159A Historic Classic Hexagram of the Heavens Understanding Fux (1660 – 1741) on Counterpoint:About 1977 my teacher gave me Knud Jeppesen's (1892 – 1974) "Counterpoint" (1939), which is a comprehensive revision of Fux's method of 1725. Jeppesen had observed that Fux did not really write like Palestrina (1525 - 1594), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. ), and he had revised Fux's system to conform to Palestrina's style. Jeppesen's system has only five modes, on CDEGA, whereas Fux's has six, on CDEFGA, the natural hexachord.Having spent the last ten years studying Fux, I now believe that Fux's invocation of Palestrina (p. 18 of the book under r. Ed Wise said Study of Counterpoint Begins Here.. Would you study Western religion without reading the Bible first? Nor should one study counterpoint without reading this book first. I'm glad I was able to purchase it from Amazon.com at a good price.. The Standard gascompbunthorne This book has been the basis of strict counterpoint instruction for over 200 years. In that period of time music has changed considerably. As a composer of a strange variety of music I have to say that these exercises are among the most useful things I've ever done. I dont think that the rules in the book were ever meant to be followed exactly in real composition, look at Handel Bach or Telemann( they were all in the middle of their careers when this was published:1721) but learning to do the exercises strictly to the rules influences the way you think about composing. Of