"Roll Sound!": A Practical Guide for Location Audio

^ Roll Sound!: A Practical Guide for Location Audio ↠ PDF Read by ! John Fielden eBook or Kindle ePUB Online free. Roll Sound!: A Practical Guide for Location Audio Great Concept Book Alex Ramirez This book pays for itself. You simply need to read this book. Think of it this way: If even ONE piece of information in this book gets you called back by ONE person for a gig, then this book was not only free, but netted you a couple hundred bucks.From lavalier tricks to mixing at venues, this book will have something for all but the most seasoned vets, who wont be looking for this book in the first place.Conceptually, the author knows that you dont need to know

Author :
Rating : 4.23 (634 Votes)
Asin : 1450549837
Format Type : paperback
Number of Pages : 178 Pages
Publish Date : 2018-02-01
Language : English

DESCRIPTION:

"ROLL SOUND!", is based on 30 years of actual production setups and locations from various sound mixers and audio assistants for National and International movies, commercials, episodics, music videos, sports and news programming, television based variety shows and more. Today's up and coming fast-paced media professionals work in an environment where the need for immediate results equates to professionalism. A sub-text for this book could crudely be, "Buy this book, it can save your ass!" and is justifiably true. "ROLL SOUND!", depicts real-life setups using never before published graphic illustrations and production sheets for film, video and television. "ROLL SOUND!" is an invaluable production too, that every media student or professional should own!. "ROLL SOUND!", is an easy-to-read, auto-technical manual on location sound production with invaluable tips, notes and warnings located throughout its pages. Book highlights include: 25 plus expanded equipment connection views, over 15 graphical production layouts, and over 20 detailed line sheets. This book provides first-hand knowledge of location sound production for novices and intermediates, who want to begin, fortify or expand their audio engineering career. Thi

. About the Author John Fielden, is a self-taught freelance audio engineer based in Hawaii for the past 30 years; working over 2500 productions days from "50 First Dates" to "Zoolife". His extensive audio engineering career brings invaluable field experience, combined with his innate ability for sound design, technology and humor, he presents a unique and comprehensive perspective to learning a complex subject

Great Concept Book Alex Ramirez This book pays for itself. You simply need to read this book. Think of it this way: If even ONE piece of information in this book gets you called back by ONE person for a gig, then this book was not only free, but netted you a couple hundred bucks.From lavalier tricks to mixing at venues, this book will have something for all but the most seasoned vets, who won't be looking for this book in the first place.Conceptually, the author knows that you don't need to know specific equipment to us. Mikey G said I Give This Book 5 hawaiian Cheeee Hoooo's!. I just bought this book and found it to be very good source of information on what goes on behind the camera when doing Broadcast,Motion Picture, and Production audio.I'm an Audio Engineer who does Live, Studio, Broadcast and Production sound and found it very useful to see how everybody else does the same job. I recommend this book for anybody wanting to get into this business. I wish some of the A"I Give This Book 5 hawaiian Cheeee Hoooo's!" according to Mikey G. I just bought this book and found it to be very good source of information on what goes on behind the camera when doing Broadcast,Motion Picture, and Production audio.I'm an Audio Engineer who does Live, Studio, Broadcast and Production sound and found it very useful to see how everybody else does the same job. I recommend this book for anybody wanting to get into this business. I wish some of the A2's and AI Give This Book 5 hawaiian Cheeee Hoooo's! I just bought this book and found it to be very good source of information on what goes on behind the camera when doing Broadcast,Motion Picture, and Production audio.I'm an Audio Engineer who does Live, Studio, Broadcast and Production sound and found it very useful to see how everybody else does the same job. I recommend this book for anybody wanting to get into this business. I wish some of the A2's and A3's that i have worked with in the past would have read this book. It would have b. 's that i have worked with in the past would have read this book. It would have b. 's and AI Give This Book 5 hawaiian Cheeee Hoooo's! I just bought this book and found it to be very good source of information on what goes on behind the camera when doing Broadcast,Motion Picture, and Production audio.I'm an Audio Engineer who does Live, Studio, Broadcast and Production sound and found it very useful to see how everybody else does the same job. I recommend this book for anybody wanting to get into this business. I wish some of the A2's and A3's that i have worked with in the past would have read this book. It would have b. 's that i have worked with in the past would have read this book. It would have b. "Absolutely insightful and invaluable information!" according to Tim Pryor. As a reader, Roll Sound covers the necessary topics of location sound that every audio professional in that industry is required to understand. John writes as a mentor, a personal friend. By that, I mean the text is written as if John invites you as a reader on to a set and is giving instructions, explaining definitions, even brief history of why we do certain things all to ensure a successful day. The book heavily covers TV and ENG broadcast.The book feels very polished and definitions a

His extensive audio engineering career brings invaluable field experience, combined with his innate ability for sound design, technology and humor, he presents a unique and comprehensive perspective to learning a complex subject. . John Fielden, is a self-taught freelance audio engineer based in Hawaii for the past 30 years; working over 2500 productions days from "50 First Dates" to "Zoolife"

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