Notes for Flutists: A Guide to the Repertoire (Notes for Performers)
| Author | : | |
| Rating | : | 4.65 (952 Votes) |
| Asin | : | 0199857075 |
| Format Type | : | paperback |
| Number of Pages | : | 288 Pages |
| Publish Date | : | 2016-03-10 |
| Language | : | English |
DESCRIPTION:
She is a pre-concert lecturer for the Chicago Symphony and was recognized with her university's highest award for research in 2007. Kyle Dzapo, Professor of Music at Bradley University, enjoys a career as teacher, performer, scholar, and speaker. She holds degrees from Northwestern University, New England Conservatory, and th
About the AuthorKyle Dzapo, Professor of Music at Bradley University, enjoys a career as teacher, performer, scholar, and speaker. She is a pre-concert lecturer for the Chicago Symphony and was recognized with her university's highest award for research in 2007. She holds degrees from Northwestern University, New England Conservatory, and the University of Michigan.
Kyle Dzapo includes biographical information on each composer and highlights history's impact on the creation and performance of important works for flute. Covering concertos, chamber pieces, and works for solo flute, Kyle Dzapo presents Notes for Flutists, an indispensable handbook for students and professionals alike.. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help flutists gain a more complete understanding of J. Bach's Sonata in B minor, Reinecke's Undine Sonata, Fauré's Fantaisie, Hindemith's Sonata for Flute and Piano, Copland's Duo for Flute and Piano, and 30 other masterpieces.Offering a faithful and comprehensive guide to understanding the contexts in which the repertoire was composed, Notes for Flutists details in clear, chronological
""Notes for Flutists" : Necessity for Flutists" according to Rich Lupo Flutes and Piccolos. "Notes for Flutists" is destined to become the most valuable and well-used resource for flutists of the 21st century. The premise of Kyle Dzapo's work is that a musician must "gain a more complete picture of the works and the context in which they were written," a