Isa Genzken: Catalogue Raisonne 1992-2003 (Multilingual Edition)
| Author | : | |
| Rating | : | 4.29 (832 Votes) |
| Asin | : | 3883756881 |
| Format Type | : | paperback |
| Number of Pages | : | 196 Pages |
| Publish Date | : | 2016-03-29 |
| Language | : | German, English |
DESCRIPTION:
From her inhospitable, ruin-like concrete sculptures to the uncannily fragile and wondrously beautiful New Buildings for Berlin (seen at Documenta11), she has acknowledged modernism as both model and loss. In the 25 years since she has been active as an artist, Isa Genzken has created a wide-ranging, multi-faceted body of work. With large-format exhibition pictures, essays, and a detailed catalogue raisonna.
Her artistic vocabulary acknowledes modernism as both model and loss and is characterized by the use of a variety of often unexpected materials, ranging from kitchen utensils to newspaper headlines and press release flyers. . She has exhibited her work in Germany and internationally since the 1970s. About the Author Isa Genzken was born in 1948. Her work often addresses architectural themes and the experience of contemporary urbanism
A great book featuring a truly modern artist. Thorstein Veblen would be proud. Bill Boga If you're a fan of Cy Twombly, you'll almost certainly enjoy this book. She's Cy Twombly in 3D. Many "neu" art books today bore you to tears and lack even a negligible amount of adrenaline (a hook, so to speak). You walk away feeling cheated, not having cared one bit about the artist you've just imagined.Most readers will not be easily distracted with this book. Especially if you're not familiar with the artists work. This book will grab you, shake you all up, break you down and, with a sprinkling of contemporary issues thrown in, make you imagine your artistic sensibilities anew.What do yo
Her work often addresses architectural themes and the experience of contemporary urbanism. She has exhibited her work in Germany and internationally since the 1970s. Isa Genzken was born in 1948. Her artistic vocabulary acknowledes modernism as both model and loss and is characterized by the use of a variety of often unexp